1971: Black Sabbath, Masters of Reality...
By griffn8 on Apr 6, 2009 | In Welcome | Send feedback »
Circa 1970, the landscape of music in general was poppy, fluffy, drop-acid-and space out hippy-influenced nonsense. Sabbath brought this whole happy-love train to a screeching halt with a series of three albums a mere sixteen months apart: Black Sabbath, Paranoid, and Master of Reality.
Steve Huey from Allmusic declares Paranoid to be Sabbath's greatest contribution to the formation of the Metal genre. I dispute this. Songs like "War Pigs" and "Iron Man" certainly rose to legendary status, with the former having been covered by dozens of bands from Bathory to Faith No More to Government Mule, and the latter being one of the most iconic rock riffs ever, having been sampled, quoted, and used in silliness from WWE wrestling introductions to Beavis and Butthead episodes to Michigan U's football marching band playing it every time their team collects a sack.
However, this legendary status does not a truly influential piece of music make. Metal has never been about being embraced by pop culture.

No, the truly iconic riffs and haunting melodies from Master are the ones that ultimately built the foundations of modern metal. These were the crude frameworks from which so many subgenres would draw their inspiration. Where would Stoner be without "Sweet Leaf"? Power Metal without "Children of the Grave"?
And for that matter, where would any of the modern metal from the last 15-20 years be if Iommi hadn't finally decided (on this record) to detune his guitar to C# to make it easier to play with his prosthetic fingertips? That sludgy, grinding sound that pervades this album was a veritable revolution of sound that was so far ahead of its time, it took Rolling Stone 32 years to finally acknowledge its importance to the musical landscape, when they posted this record in their top 500 most influential albums of all time, calling it "the definitive studio relic of Sabbath's golden-hellfire era". Q Magazine agreed, stating that it was "the most cohesive record of their first three albums" - and cohesive is the important word here.
The sound Sabbath was building was hazy and confused in their first two records. This was the moment of clarity amid the mountains of drugs that set the world on fire and paved the way for the NWOBHM to begin in the mid-to-late 70's when acts like Motorhead, Iron Maiden, Saxon, Diamond Head, Samson, and many others began to storm the gates of pop music and tear them down.
Next week, we'll look at a vintage offering by another early entrant into the metal landscape.
No feedback yet
Leave a comment
| Introduction » |